It’s both a vibrant introduction to a corner of the city that, at least this American, knew little about, and a calling card for an emerging director who knows that the story of two people falling for each other should be as visually engaging as anything else in theaters.” Donald Clarke ( The Irish Times ) simply but no less enthusiastically praises the film as “a sign that cinema is still alive” and argues that it’s been at least a generation since a British film has “done such imaginative work in restructuring the romantic comedy.”
Esther Zuckerman ( IndieWire ) writes, “ Audiences will long for Allen-Miller’s heroes to get together, but will likely also crave the burritos they eat and itch to grab some pints and crisps with them. Critics are equally taken by “Rye Lane’s” performances and its vivid, textured filmmaking.
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